"The Camper"
It’s about the idea of memory as a place and how to interact in other people’s memory as to create a fictive place. I’m telling a story about "our" great camp-experience to a group of people to whom I’ve redistributed [in the form of individualized letters] a memory which is not theirs. The story inter-weaves these redistrtibuted memories. Does the story become real in the recognition of fragments in the story? Do I create a place inside the groups memory? Can that place be real?" - Ylva Holmén
